Garnering praise globally with features on NYLON, Billboard, The FADER, Pigeons & Planes, CBC Radio Canada, Noisey – Poland, and more, Tangina Stone has been championed as a universal breath of fresh air. Her music can be heard in television shows on VH1 and TV One, and she has graced stages from her home base in Brooklyn, New York to Tokyo, Japan generating acclaimed performances and fortifying a strong following across the country and abroad.Her debut album “Elevate,” released in 2017, charted in Japan and the U.S. The album peaked at #27 on the iTunes Top 200 R&B albums chart and at #44 on Apple Music Japan Top R&B albums chart. Combining elements of soul, rock, electronic and r&b, “Elevate” is an intimate journey of her evolution as a woman and artist featuring guest appearances from Nelly Furtado, Kenneth Whalum and Liana Banks.
The Harmaleighs honestly craft poetic, passionate, and powerful songs cut from a pastiche of indie, folk, pop and Americana. In January 2015, The Harmaleighs—Haley Grant [lead vocals, guitar] and Kaylee Jasperson [bass, harmonies]—embarked on something of a modern odyssey in support of their independent full-length debut, Pretty Picture, Dirty Brush. The band-mates and partners got rid of their Nashville apartment, put everything they owned in a storage unit, bought a van, equipped it with a bed, and hit the road with their 8-month-old pug Gus sleeping on the dash for the next nine months. The trials, tribulations, and triumphs of this trek would ultimately inspire their EP, Hiraeth.
“Hiraeth is a Welsh word that we stumbled upon while we were on tour,” says Kaylee. “It basically means, ‘Longing for a home.’ It’s a feeling of rootlessness and homesickness that we started to collectively feel around month six. By the end, we had burned out.”
“Even when we visited Nashville, we would be staying in a Walmart parking lot,” sighs Haley. “That’s where the whole concept came from. It’s the basis for this body of work.”
The lead track from the EP is the ethereal “Birds Of A Feather”, which is out now via all digital outlets. “I wrote the song about a friend who was going through a tough time with a relationship ending,” says Haley. “She was explaining to me what exactly was happening and said ‘I’m just convenient for her.’ That specific sentence stuck in my head for a couple weeks and sparked the idea for the entire song.”
The Harmaleighs’ debut LP Pretty Picture, Dirty Brush received accolades from American Songwriter, Songwriter UK and more and Spotify featured “I Keep Ticking On” on its coveted Folk Pop playlist, amassing millions of streams and counting. The duo spent the bulk of 2016 “working regular jobs and saving up money” for their next musical chapter. They hit the studio with producer Paul Moak [Mat Kearney, Caitlyn Smith] and recorded the six songs on Hiraeth in just one week. As a result of the previous two years, their signature “Indie Americana” sound further solidified.
“Our last record was very folk-pop,” says Kaylee. “At that point, we were going through transitions and really trying to figure out what we wanted to be. When we finished that marathon tour and regrouped, we got the chance to decide who we are as a band. We wanted to utilize more electric instruments and go more indie pop with storytelling at the core. All of Paul’s productions are different. That was the allure of working with him. He helped us step up and define our style. This is really the first time we’re being true to ourselves.”
On “Lady Brain”, delicate electric guitars entwine with Haley’s hypnotic and heavenly delivery before crashing into an unforgettable refrain. “I was watching Orange is The New Black, and in one scene the main character Piper says, ‘Well, I’m going to use my lady brain and think really hard,’” Haley recalls. “I thought it was so fucking funny. I kept it in the back of my head. It’s a bit of a sarcastic song.”
Then, there’s “Mouthful of Cigarettes” which twists and turns through a bluesy lead line until eventually culminating on a powerful proclamation, “I am a fire without any wood.”
“I was sitting at a bar in Portland on month six of our tour,” Haley continues. “There was an ashtray full of cigarettes, and I was having this moral dilemma in my head. I thought, ‘What if I put all of that in my mouth and swallow the burning cigarettes because there are flames and maybe I won’t be burning out anymore?’ I thought it might spark the flame again.”
The flame has been sparked with Hiraeth and their journey really begins now…
Unfazed by what a typical pop artist today is “supposed” to look like and how the typical pop artist is “supposed” to sound, Heather Mae, an award-winning songwriter whose evocative vocals and rhythmic piano style call to mind artists like Stevie Nicks and Sara Bareilles, creates intoxicating music that tackles complex topics surrounding mental health, LGBTQ+ issues, self-love, racial injustice, social inequality, and women’s rights. Inspired by her own personal experiences and identities – a queer, plus size woman living with Bipolar Disorder – and those of her multifaceted fans with whom she has forged connections throughout her many years of touring across the United States, Mae crafts powerful lyrics and unforgettable music about life’s moments–from the quietly chaotic to the explosive.
In 2016, after an eight-month period of silence to recover from vocal nodules, Mae made a vow: she would dedicate her career to solely write music that made the world a better place. Her independently-released debut EP I AM ENOUGH, which reached #58 on iTunes Pop Album charts, was her announcement to the world. Mae, who was dubbed “the new queer Adele” by L-Mag, envelopes her audience with a message of hope. Her newest project, GLIMMER, is a collection of nine songs supporting one central theme:” Feel To Heal.” Within the grooves of the new album, Mae wrestles with the complexities of existing as a human with mental illness. From her #MeToo-inspired feminist anthem “Warrior,” featuring a choir of 100+ female vocalists, to “You Are My Favorite”, a love song written for her wife inspired by her own wedding vows which will surely be the 2019 wedding soundtrack for LGBTQ+ couples, Mae shows she’s nothing less than a powerhouse. She has examined her struggle with Bipolar Disorder from every angle in order to create her most sonically adventurous set of recordings yet–and to remind us that we aren’t alone.
Heather Mae has opened for Emily Saliers (Indigo Girls), Holly Near, Tom Paxton, Crys Matthews, Tom Goss, Danielle Ate the Sandwich, and Rebecca Loebe, and will participate in the Singing OUT LGBTQ Pride Tour which launches on June 1st in Decatur, GA, followed by a 30-day national tour. She will be hitting the road again in October for the Official GLIMMER Tour.
Unfazed by what a typical pop artist today is “supposed” to look or sound like, Heather Mae, an award-winning songwriter whose evocative vocals and rhythmic piano style call to mind artists like Stevie Nicks and Sara Bareilles, creates intoxicating music that tackles complex topics surrounding mental health, LGBTQ+ issues, self-love, racial injustice, social inequality, and women’s rights. Inspired by her own personal experiences and identities – a queer, plus size woman living with Bipolar Disorder – Mae is an on-fire musical and emotional experience. In hermost sonically adventurous project yet, GLIMMER (Sept 2019) – her second produced record and first full length album – breaks the stigma surrounding mental health, reminding us all that we are not alone. / heathermae.net / @heathermaemusic Socials: Website: www.heathermae.netFacebook: www.facebook.com/heathermaemusicpageInstagram: instagram.com/heathermaemusicTwitter: www.twitter.com/heathermaemusic
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