Bitch (from Bitch and Animal, Shortbus) is back with a new collection of songs, including an epic video for her pop single, “New Year,” released in January 2019. Armed with her unusual instrumentation of violins (acoustic and electric), key tar, ukulele and bass, Bitch’s live show combines epic dance-y tunes as well as tender, intimate, stripped-down songs.
Bitch is no stranger to the stage. As on half of the duo Bitch and Animal, she released 3 albums (including two on Ani DiFranco’s Righteous Babe Records). After going solo, she put out an album via Kill Rock Stars, three on her own imprint (Short Story Records), and also starred as herself in Shortbus (the 2006 feature film from Hedwig and the Angry Inch’s John Cameron Mitchell). Bitch has collaborated with her elder and folk idol Ferron, producing two of the singer’s albums. She has co-written a song with Margaret Cho, and before starting her own career, studied fiddle with Andrew Bird.
It’s rare for an artist to bridge the divide between critical acclaim and dedicated fan engagement. Chris Pureka is a Portland-based singer-songwriter whose body of work has resonated deeply with these seemingly disparate milieus. Her bold vulnerability in processing the intimacies of her life in song has long appealed to those listeners who crave authenticity. Now, five years coming, she shares with us another powerful entry in her life’s work, her sixth release, the aptly titled, Back in the Ring.
Chris’s elegant emotionality as a vocalist, and her flair and immediacy as a lyricist have garnered her favorable comparisons to Gillian Welch, Ryan Adams, Bruce Springsteen, and Patty Griffin. She’s earned accolades from such distinguished taste-making outlets as The New York Times, Paste, Magnet, Billboard.com, and The AllMusic Guide. She’s shared the stage with such diverse and esteemed artists as Dar Williams, The Lumineers, The Cowboy Junkies, Gregory Alan Isakov, Martin Sexton, and Ani DiFranco. Along the way, Chris has remained fiercely independent, selling nearly 50,000 albums through her own label, Sad Rabbit Records.
Chris’s journey in music mirrors her path toward self-discovery. At 16, writing songs became a way of journaling. “I was shy and introverted, and songwriting was a very personal process. I never had any intention of performing,” she shares. Post high school, she went on to complete a biology degree at Wesleyan University, and afterwards, worked in a microbiology research lab at Smith College. Meanwhile, she established a music career parallel to her biology work through touring and issuing a clutch of well-received indie releases. In 2006, when Chris found herself turning down too many opportunities as a musician, she shifted her priorities to become a full-time artist.
Her latest album, Back in the Ring, is Chris’s first studio full length since 2010’s critically acclaimed How I Learned to See in the Dark. “I’m not interested in releasing songs I can’t get behind or records I don’t love,” she says of the five-year span between albums. The title of her latest playfully suggests something of an artistic comeback, but it also references the album’s themes of relationship conflict and making the decision to fight back against dark inner demons.
“My music is the outward expression of the work I’m doing internally. What I do comes from my experiences, and I strive to express these experiences authentically. Speaking my truth, and being myself, is the way that I connect with people,” Chris confides. Her rise as an esteemed artist with captivating emotional integrity has been organic and always on her own terms. For someone who never had an intention of being a professional musician, it’s been a life of far-reaching changes and unexpected rewards.
Billboard has recently included the Canadian Mohawk singer/songwriter on their list of people you should know in music while MTV has named her on their list of “Top Gender Bending Artists” as a Two Spirit person.
“Shawnee is an undeniable talent with a unique charm” describes Exclaim magazine. Her voice carries strength and wisdom with a powerful rooted soulfulness.
Her ties and passion for music has been there from the start. Shawnee grew up recording songs on a tape recorder influenced by Yanni, Beethoven and Melissa Etheridge. Her first singing jobs were as a Shania Twain impersonator before she recorded songs for shows like Disney TV while she toured as a
supporting vocalist for major artists. Shawnee released the single “Mirror Me” and it quickly became an anthem of self-identity struggle, empowering strength. The song was supported by Much Music it hit number one on the NAMC before Shawnee performed the song at NYC Pride after Lady GaGa.
Shawnee challenges the boundaries using music to showcase her roots and explore genres of soul, r&b, pop and alternative.
Her recent single “Warrior Heart’ was released to help end Canada’s suicide crisis. Shawnee leads her career path and music in efforts to support, heal and empower.
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